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Night Train: New and Selected Stories (Hardcover)
About the Author
Thom Jones was a National Book Award finalist, O. Henry Award winner, and the author of the three story collections The Pugilist at Rest, Cold Snap, and Sonny Liston Was a Friend of Mine. He received an MFA from the University of Iowa in 1973, and worked an array of jobs from copywriter to janitor until he was published for the first time, in The New Yorker, in his mid-forties. His stories went on to be published in other magazines such as Harper's, Esquire, Playboy, and Story as well. Jones died in 2016 and was eulogized in The New Yorker by Joyce Carol Oates.
"There's a feeling of magic at work, as though Jones was an oracle channeling the voices of his crazed, raucously funny, deeply damaged gallery of characters . . . It's impossible not to marvel at the urgency of these stories. Reviewers like to say that good writing feels alive, but living things are subject to the laws of decay, and the miracle of literature is that the truly great stuff has no half-life. It doesn't fade or stale or ossify . . . Immortality is too much to demand of anyone's work, of course, and yet there are moments in Jones's stories where the writing seems capable of transcending the forces of destruction it so unforgettably evokes."—Sam Sacks, Wall Street Journal
"What keeps drawing me into Jones's stories is the precision of his language . . . Jones knew that the short story has to present a bang rather than build up to it, as the novel does . . . Like Alice Munro, he was able to pour thoughts and feelings into a small mold and boil them down until they had the complexity of a novel but much more sharpness . . . His stories show you states of mind that you may never have experienced. They are intensely lively and down to earth; adventurous, often harsh, but subtly self-effacing; both a generational portrait and a self-portrait of one of the strangest writers of our times."—Jane Smiley, Guardian
"Thom Jones was a master of the short story, a master of the same brand of incandescent, hallucinatory creation of voices that made his contemporary Denis Johnson famous. It is a great gift for all of us to have the best of his work, new and old, here in one place. Night Train will be an amazing discovery for anyone who cares about literature."—Philipp Meyer, Pulitzer Prize finalist and New York Times bestselling author of The Son
"Thom Jones wrote like his hands were on fire. The stories collected in Night Train are radioactive with soul, bleak humor, and savage truth. This book affirms Jones's standing as one of short fiction's timeless masters."—Wells Tower, author of Everything Ravaged, Everything Burned
"Jones has a distinctive voice that comes through often in raw, direct, almost driven language, as if he felt short of time. His mostly blue-collar characters were often fiercely alive, whether he was writing about soldiers, boxers, victims, or miscreants...At his best he offers a poignant, compelling view of the human condition."—Kirkus Reviews (starred review)
"A master of the form... Jones' style is characterized by compassion, surprising humor, and his characters and their determination to survive. This superb volume, richly introduced by Amy Bloom, will renew appreciation of Jones' literary power."—Booklist (starred review)
"A virtuoso of the short story."—Adrienne Westenfeld, Esquire
"The stories in this collection are sometimes profane, sometimes hilarious, and always brilliant. Thom Jones was an extraordinary writer."—Kevin Powers, National Book Award finalist and New York Times bestselling author of A Shout in the Ruins and The Yellow Birds
"Thom Jones is a one of a kind real deal genius. I would scream it from a skyscraper if it would help, I'd sell his books door to door just to let people know, and if I had enough copies I'd break into every motel and hotel I came across and leave a copy. He's one of America's great short story masters.'"—Willy Vlautin, author of Lean on Pete and Don't Skip Out On Me
"Like Denis Johnson or Barry Hannah, Thom Jones's fiction thrusts you into nerve-racking proximity with the wild, the broken and the sick. His stories are so funny and so sad, and too-little read these days. If you don't know his work, this is a great place to start. If you do, you'll be glad of the chance to tune in to the final transmissions from a unique writer."—Chris Power, author of Mothers